Exhibitions

 

 

 

 

 

 

 

 

 

 

 

 

 

 

mimicry and wearables

The Weight (Inspired by the Meadow Vole), Reclaimed Bed Sheet, Hay. Digital Print 34″ x 46,” 2015

 

 

The Weight in Fall (Inspired by the Meadow Vole), Reclaimed Bed Sheet, Hay. Digital Print 25″ x 47,” 2015

 

 

I Am A Woolly Aphid, Deconstructed Pillow, Crochet Tablecloth, Curtain, Wax, Wire. Digital Print 32″ x 42,” 2015

 

 

The Basement Spider, Textile Media, Digital Print 38″x 24,” 2016

 

 

Cocooning, Felted Wool, Tablecloth. Digital Print 42″ x 30.5,” 2015

comparative dwelling and embodiment

 

John B. Aird Gallery, 2017

 

 

 

 

Scent Sachet

 

I Am a Woolly Aphid, Deconstructed Pillow, Crochet Table Cloth, Wax, Wool, Wire Mesh, 2015.

 

In Private (Lightbox), 2016

 

Cocooning (Headpiece), Felted Wool, Crochet Table Cloth, 2015.

 

 

 

 

Maseo, Oil on mounted wood panel, 12″ x 12″, 2011
Grenwich Beach, Oil on Panel, 8″ x 10″, 2011
Stanley Bridge, Oil on Panel, 8″ x 10″, 2011
Cousin’s Beach, River and Grass, Oil on Panel, 8″ x 10″, 2011
Brackley Beach, Oil on Panel, 6″ x 8″, 2011
Noel 2, Oil on Panel, 5″ x 5″, 2001 $225
Blue Mermaids, Mixed Media on Canvas, 36″ x 36″, 2011
A Little Bit of Leslieville, Oil on Panel, 12″x 12″, 2011
Sniffing, Oil on Panel, 24″ x 34″, 1998
Blue Shade, Oil on Panel, 24″ x 36″, 1998

Liberty Street, Oil on Panel, 6″ x 8″, 1998
Poor Tom, he has to take the pictures, Oil on Panel, 5″ x 5″, 2001 $225
Poor Tom, he has to take the pictures, Oil on Panel, 5″ x 5″, 2001 $225
The Queensboro Bridge, New York, Oil on Panel, 14″ x 16″, 2003

Harry, Oil on Panel,16″ x 20,1999

Imagination, Oil on Panel, 12″ x 12″, 2007
Kathleen Rose, Oil on Panel, 12″ x16″, 2000
Little One, Oil on Panel, 8″ x 8″, 2002
Napping, Oil on Panel, 12″ x 12″, 2005
Roslin Avenue, Oil on Panel, 8″ x 10″, 2004
Ciliated Protozoa, Cushion Series

Kendal Avenue, Oil on Panel, 8″ x 10″, 1998

ABOUT

Valerie Carew develops interdisciplinary art as an act of resistance to social and environmental severance through painting, performance, wearables, sculpture/installation and field research. She uses methodologies of role-play, mimicry and humour to sort out personal identity and relationship to land. She employs the home as a symbolic device and a physically mediating object between the body and natural environments. Carew incorporates commodified or fabricated representations of land and the wild- the nature replacements which permeate urban dwelling.

Valerie has exhibited internationally, including Napier University in Edinbugh (2018), Dances at Dances at MuCCC: Festival of Contemporary Dance in Rochester NY (2017), and F Generation: Feminism, Art, Progressions in Melbourne, Australia (2015). Recent exhibitions include: Gender and The Lens II at Ryerson Artscape (2018), Hard Twist 11 and Nuit Blanche, Fly By Night at The Gladstone Hotel (2016), and John B. Aird Gallery (2017). She is a graduate from the Interdisciplinary Master’s in Art, Media and Design Program at OCAD University where she received two scholarships and the 2016 Outstanding Exhibition Award.

Land Acknowledgement

Valerie investigate areas of regeneration in southern Ontario such as fallow farmland ecosystems. These areas are the ancestral and contemporary territories of the Algonquin, Mississaugas of the New Credit, the Haudenosaunee, the Annishnaabe nation and the Huron-Wendat.

 

 

History

2018 Elaine Fleck Gallery, Catalogue Exhibition, Sept 19-Oct 3

2018 Gender and The Lens II, Ryerson Artscape, Toronto and Napier University, Edinburgh
2017 Dances at Dances at MuCCC: Festival of Contemporary Dance in Rochester NY
2017 Laugh/Think, John B. Aird Gallery
2016-17 Hard Twist 11-The Gladstone Hotel
2016 Fly By Night: Nuit Blanche at The Gladstone
2016 MFA Thesis Exhibition, The Graduate Gallery, OCAD University
2016 Reconstructing Resilience Symposium and Exhibition, OCAD University
2015 F-generation: Feminism, Art, Progression- The George Paton Gallery, Melbourne Australia
2015 Feminist Art Conference Exhibit- Artscape Gibraltar Point
2015 Envelopment(s)- Robert Kananaj Gallery
2014 Thresholds-Graduate Gallery OCAD University
2014 Yellow House Gallery
2014 Toronto Art Expo
2014 Homer Watson House and Gallery
2013 The Eco Show- Gallery 1313
2012 Hangman Art Gallery
2012 14th Annual Riverdale Artwalk
2012  Arts Market, Toronto
2004  Redhead Gallery

Education
2016  MFA, Interdisciplinary Master’s in Art, Media and Design OCAD University

2014  BFA, OCAD University, Toronto ON

1995  AOCA Honours, Drawing and Painting

Scholarships
2015/16  Ontario Graduate Scholarship
2014/16  OCAD U Dean’s Scholarship:  Interdisciplinary Masters in Art, Media and Design

Awards
2016 The Interdisciplinary Master’s in Art, Media and Design Outstanding Exhibition Award

Academic Lectures
2017  Artist Talk, New York University, ITP Camp. Possibilities for Wearable Sculpture for Art Making: The Body as Substrate.

2017  Artist Talk, OCAD University. Guest presenter for undergraduate Drawing and Painting course: Landscape: Garden of Earthly Delights.

2017  Artist Talk, York University. Guest presenter for Law/Culture/Representation course: How critical issues can be visualized through the arts.

Residencies
2015 Feminist Art Conference Residency, Artscape Gibraltar Point, Toronto ON
2014 Public Elementary School Residency- Bruce Jr. Public School (Arts in Education), Toronto ON

Conferences
2016 Reconstructing Resilience Symposium, OCAD University, Toronto, ON.
2015 Feminist Art Conference, Artist discussion panel, OCAD University; Toronto, ON.
2015  Villanova Philosophy Conference, “New Encounters in French and Italian Thought,” Villanova University, Pensilvania. Paper submission: “Come to My Backyard: Bio-power and the Young-Girl in Domestic Space.”

Committees
2015/16 Interdisciplinary Master’s in Art, Media and Design Programming Committee,  OCAD University.

Teaching
Teaching Assistant, Faculty of Art, OCAD University   2017 – Present Marker/ Grader for undergraduate course Thesis: Studio Research.

Art Instructor, Canadian Contemporary School of Art   2017 – Present
Students are introduced to avenues of conceptual making within sculptural practice, and learn ways to build visual language using textile and mixed media.

Session Leader, ITP Camp, NYU, New York   June 2017
Led skills sharing workshops dedicated to making hand crafted, wearable sculptural forms. Instructed students in soft sculpture construction with a focus in small garment fabrication, felting techniques, sewing and wire armature building. These body-based sculpture workshops offered professionals opportunities to explore art making using soft material as a component to NYU’s 2017 ITP Summer Camp.

Graduate Research Assistant, The Social Body Lab, OCAD University   October 2016 – January 2017
Interdisciplinary art based research in the development of Inquisitive Devices– wearable, body-based communication systems. Prototype for these systems were made through reflexive, sculptural material exploration and embedded electronic components, with the aim to explore possible, probable, and fantastic futures of body-based communications.

The Gall Pod Public Sculpture/Installation Project, Evergreen Brick Works   2015
• Facilitated community place-based learning through visual art practice. Two woven, inhabitable, human scale and interactive sculptures were created on site at the Evergreen Brick Works.
• Led EBW volunteers, summer camp groups, and visitors through the embodied process of weaving with natural materials.

Art Instruction with Artist Residency, TDSB   2012 – 2014
Developed and led visual art classes to students from grades 1-6 and maintained a drop-in studio within the public school environment.

Notable Commissions
Painting commissions for Christopher Plummer and pianist Janina Fialkowska.

Art in Publications
House and Home Magazine
The Annex Gleaner News Paper, Toronto

 

Studio Assist Team: Kevin Bolianatz, Christine Carson, Ginette St. Germain

 

 

 

 

 

 

 

 

Meadow Mushrooms, 2015

 

 

Mothballs, 2015

 

 

Handles, 2017

 

 

Boneware Vertebrae, 2017

 

 

The Vesselled Body: Spout, 2017

 

 

Sentiment and Desire, 2018

 

 

 

 

 

 

 

 

 

 

 

 

 

soft media

Body Rug: Receiving Blanket Scent, 2018

 

 

House Hands: Precious Hopes, Yarn, Wood, Textile, House Paint, 2018
House Hands Interior, Receiving Blankets, Egg Talismans

 

 

Wearable Pin Cushion, Textile, Pins, Jewellery Clasp, 2017

 

 

Sanitize, J-Cloths, Jewellery Clasp, 2017

 

 

Moth Balls (Hand Weights), Fibre Media, 2016

 

 

Gall Bodies (For Head and Hands), Textile Media, 2016

 

 

I Am A Woolly Aphid (Headpiece), Deconstructed Pillow, Crochet Tablecloth, Curtain, Wax, 2015

 

 

We’re Here To Help: The Eleven Numbered Treaties, Textile, Embroidery, Found Cedar, 2016

Body Rug Performance (The Grey Aphid), 2017

 

Dreamscape Blanket, Performance, Drone View, 2016

 

 

Voluntary Reclusion, Robert Kananaj Gallery, 2015
Voluntary Reclusion, Robert Kananaj Gallery, 2015. Photos by Ryan Pechnick.

 

Interpreting The Yellow Wallpaper #2, 2015

 

Interpreting The Yellow Wallpaper #3

 

Interpreting The Yellow Wallpaper #1, 2015.

Gall Pod Public Sculpture and Installation, Hay and Twine, Evergreen Brickworks, 2015
Gall Pods, Hay and Twine, Evergreen Brickworks, 2015

 

 

 

 

 

 

Dreamscapes: Land Love

Dreamscape: A Walk Among Anthropomorphic Flowers, Oil on Canvas, 48″ x 60,” 2019

 

 

Woodland, Oil on Canvas, 48″ x 60,” 2018

 

 

Kitsch Convergence, Oil on Wood, 36″ x 48,” 2018

 

 

The Run, Oil on Wood, 36″ x 48,” 2018

 

 

Bluebird Salt and Pepper Shakers (Suburban Dreamscape), Oil on Wood, 36″ x 48,” 2018

 

Land: Utopia Dystopia

Collision, Oil on Masonite, 15" x 30", 2012
Collision, Oil on Masonite, 15″ x 30,” 2012

 

 

 

One Last Jump, Oil on Masonite, 15" x 30", 2012
One Last Jump, Oil on Masonite, 15″ x 30,” 2012

 

 

 

Dust, Oil on Masonite, 15" x 30", 2012
Dust, Oil on Masonite, 15″ x 30,” 2012

 

 

 

“There is Nothing new Except What Has Been Forgotten”, Oil on Masonite, 48″ x 36,” 2012

 

 

 

Fishbone Fragmentation, Oil on Canvas, 36″ x 48,” 2013

 

 

 

Eutrophication, Oil and Acrylic on Wood, 24″ x 36,” 2012

 

Perfect Storm, Oil on Masonite, 18″ x 24″, 2012

 

Invasive Mitten Crabs, Oil on Panel, 18″ x 22,” 2013

 

 

Pivot Irrigation, Oil on Canvas, 36″ x 48,” 2013

 

 

Mimicry, 43″ x 24,” Oil on Canvas and Wood, 2013